SWING CAROUSSEL

Circus and amusement parks are themes that I love to paint. This is an oil on canvas, 40X60 cm and is not finished, of course.

DARK VOICE LIKE TINTED GLASS

Oil on masonite 20x20 cm

"Anger as soon as fed is dead-
'Tis starving makes it fat." Emily Dickinson

I think this is not finished. I intend to light the lips and to darken the veil.

MEANWHILE IN AMERICA...

Oil on canvas, 60X80 cm based on Timothy Horn's Bus Stop

According to the Iraq Body Count (http://www.iraqbodycount.org/) 81,639 - 89,110 documented civilians (strictly 'non-combatant') got killed in the Iraq war and occupation. 16 yesterday.

BUMBA-MEU-BOI

My mother is naïf art lover. She asked me for a painting characterized by a childlike simplicity.

I decided to paint the Bumba-meu-boi or Boi-bumbá, a folkloric dance originated in the northeast of Brazil circa XVIII century. The dance basically tells the story of death and resurrection of a fantastic bull and is very popular at the Amazon Rainforest where they (I used "they" because I live in the south-west of the country) have a very big annual celebration called Parintins Folkloric Festival helded in Parintins, Amazonas. Despite the importance of the celebration to the Amazon region (only Carnival in Rio de Janeiro draw more participants) is not widely known in other parts of the country. In three days more than 100,000 people dance the Bumba-meu-boi.

HOW "NOT" TO PAINT

I was so happy with the progress of this painting till this vimpire woman shows up. I hate her. She is ugly, deformed, disproportionate... even stinks!
I first painted the background and it was ok, then I painted the blond guy and I felt like Michelangelo and then... I ruined the whole thing with her!
Compare with the first study. It was much better.
Now, I will put it aside and just later try to fix Mrs. Dracula up.
Kids, do not paint like that!

STORM OR "I SLHOULDN'T HAVE WOKE UP!"

It's finally dried.
It always happens to me. I don't even bother anymore!

Oil on canvas 20X30

OSCAR NIEMEYER

The bigest brazilian architect. 100 years and working! Congratulations!

Sketch book - charcoal

SATYRICON

I'm working in this small painting now, a scene of Fellini's Satyricon. Try to reach the beauty of Giuseppe Rotunno's photography will be such a challenge.

ONE PROCESS

I just finished this painting and thought about showing the whole process since the oxidation till the final touches. What you think? I would prefer looser strokes but I like it. It took me four hours and the dimentions are 20X30cm, oil on canvas.

MARIA MANOELA

Watercolor/collage/fabric 20X18cm

PAPER HAT

I had been on vacation, travelling, resting, making friends, having fun and studing but no, I'm not one of those who think the new year starts just after carnival, like many brazilians do. I've been working on some paintings, nothing so elaborate, and will start to post them here. I hope you like them and would love to hear your opinions.

Watercolor 6X9cm

"THAT IS NOTHING MORE TRULY ARTISTIC THAN TO LOVE PEOPLE"

Mixed Technique on paper 36X24cm

I love Van Gogh... who doesn't? For me, more than a great artist (I don't like to use the term "genius" because I don't believe talent is a gift but the result of hard work) he is an example of persistence. He once said: "If you hear a voice within you say "you cannot paint," then by all means paint, and that voice will be silenced". What is done in love is done well!

I pay homage to him in the painting above, my version of "Memory of the Garden of Etten", what gave me great pleasure to paint.

WE MUSIC

Mixed Technique 28X37cm

THE "STUDIO"

Well, I know you can not call it a "studio" but that's where I work.

Most people are curious about where artists produce, unfortunately my place is not a match for the idea of a studio full of naked models, parties, interesting people... the avant-garde stereotype! To be honest it's just a corner where I do the oil on canvas work. Hard work! To draw I use my room's desk. I'm doing the arrangements to move to a real studio but until this happen I will continue to have a great time here. Have a seat!

I'm working in this painting now. I drew on cavas using charcoal and now I'm oxidating before I start with colors. I'm travelling next week, so it won't be finished so soon.

ISPIRED BY NIKI DE SAINT PHALLE

Mixed Technique 29X21 cm

This one was inspired by the French painter, sculptor and film maker Niki de Saint Phalle.

For me, is very usual when I study a painter do some works trying to capture its spirit.

BANHISTA / BATHER

Mixed technique on paper 14X17 cm

Cipião

Mixed technique on paper, 28X32

1941

De volta da praia para o cavalete!
Abaixo um quadro que pintei praticando, inspirado por Stephen Magsig. Um pintor que vem há vinte anos retratando Detroit e a "pátina da vida " como ele costuma dizer. Vale a pena visitar seu blog: http://myartspage.blogspot.com/

Back from the beach to the easel!
Practicing I painted inspired by Stephen Magsig as you can see below. He has painted Detroit for more than 20 years and enjoy painting the "patina of life" as he use to say. Visit his blog at http://myartspage.blogspot.com/. It is worth it!





oil on canvas 40X30cm

FLORES / FLOWERS

Sou péssimo para títulos...

Este é bem pequeno e antigo, mas como quero ser aceito no Daily Painters Art Gallery preciso postar meu trabalho com regularidade.

I'm so bad with titles...

This is an quite small old one, but as soon as I want to be accepted on Daily Painters Art Gallery I must post my work regularly.

óleo sobre tela (oil on canvas) 15X10cm

Estou trabalhando agora em um quadro sobre Paranapiacaba, mas acho que só vou conseguir terminá-lo ano que vem já que vou para a praia!

I'm working on a painting about Paranapiacaba, but I think I will only be able to post it next year because I'm going to the beach!

GARRAFA AZUL / BLUE BOTTLE

Este é só um esboço feito em aquarela de um quadro que pretendo pintar em óleo. Gosto das cores e da composição e só. Fiz em poucos minutos e estou decidido a não pensar à respeito, este é apenas um exercício de técnica. Afinal qual a importância de uma garrafa azul para o mundo?

Digo isso porque acho que tão importante quanto a qualidade técnica de um artista é a escolha de seus temas, mas isso agora será colocado de lado por um tempo.

This is a watercolor sketch of a oil painting I want to do. I like the colors, composition and... only this. I did in a few ninutes and I'm decided not to think about it, this is only an exercise to practice. After all, what the importance of a blue bottle for the world? I tell this because for me as important as the technique of an artist is what he chooses as subject, but for now I will just put this questions aside for a while.

The "not brazilians" may not recognize one of the fruit, it's a carambola, it's a delicious tropical fruit and when you cut it, the slices have the shape of a star.

PS - Thanks Mary Sheehan Winn for your encouragement and attention, you know how important is to have your work saw.